Las óleos de todo Wilhelm Trubner

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90384

Adler

1888(1888) Medium oil on paperboard Dimensions 52,5 x 74,5 cm cjr

89895

Bootssteg auf der Herreninsel im Chiemsee

1874(1874) Medium oil on canvas Dimensions 41 x 56 cm cjr

91303

Castle Grounds in Lichtenberg in Odenwald

1900(1900) Medium oil on canvas Dimensions 91.5 x 78.5 cm (36 x 30.9 in) cyf

89871

Dame in Grau

1876(1876) Medium oil on canvas Dimensions 106 x 93 cm cjr

89924

Einfahrtsweg zum Stift Neuburg

1913(1913) oil on canvas Dimensions 61,7 x 76,6 cm cjr

91016

Flower Vase

oil on canvas Dimensions 30 x 22.5 cm (11.8 x 8.9 in) cyf

88532

Frau am Chiemsee

1891(1891) Medium Oil on wood Dimensions 37,2 x 26 cm cjr

87348

Gorgonenhaupt

Date 1891(1891) Medium Oil on paperboard Dimensions 58 x 43,5 cm cjr

91302

Lake Starnberg

1911(1911) Medium oil on canvas Dimensions 40 x 50.2 cm (15.7 x 19.8 in) cyf

34022

Landscape with Flagpole

mk87 1891 Oil on canvas 48x65cm Winterthur,Stiftung Oskar Reinhart

54327

Neuburg Gates

mk235 1913 Oil on canvas 62x80cm

38664

On the Sofa

mk138 1872 Oil on canvas 52x45cm

89937

Park Knorr am Starnberger See

1908(1908) Medium Deutsch:English: oil on canvas Dimensions 62 x 75,5 cm cjr

90381

Studie zur Begrubung des deutsches Kronprinzen

1903(1903) Medium oil on cardboard Dimensions 32,3 x 50 cm cjr

87092

Teerosen und Flieder im Glas

Date 1882(1882) Medium Oil on wood Dimensions 23 x 18 cm cjr

91774

Teerosen und Flieder im Glas

1882(1882) Medium oil on panel Dimensions 23 X 18 cm cyf

54312

The Pub on Fraueninsel

mk235 1891 Oil on canvas 48x65cm

Wilhelm Trubner

German, 1851-1917 was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".

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